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Kazimir Malevich

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Kazimir Malevich
Казимир Малевич
Kazimir Malevich ke chhaapa, circa 1925
Janam23 February 1879(1879-02-23)
Kiev, Russia
(now Kyiv, Ukraine)
Maut15 May 1935 (aged 56)
Leningrad, Russia, Soviet Union
Rashtriyata
  • Russian Empire (1879–1917)
  • Soviet Union (1922–1935)
ShikshaMoscow School of Painting,
Sculpture and Architecture
Notable workAn Englishman in Moscow, 1914;
Black Square, 1915; White on White, 1918
MovementSuprematism

Kazimir Severinovich Malevich[1] 23 February 1879[2]15 May 1935) ek Russian avant-garde[3] chitrkaar aur art theorist rahaa, jiske pioneering kaam aur lekh abstract art ke 20th century me influence karis rahaa.[4] Uske janam Kiev me, abhi ke Ukraine me, ek ethnic Polish palwaar me bhais rahaa. Uske Suprematism ke concept sought to develop a form of expression that moved as far as possible from the world of natural forms (objectivity) and subject matter in order to access "the supremacy of pure feeling"[5] and spirituality.[6][7] Malevich jaada kar ke Russia me kaam karis rahaa aur UNOVIS artist collective ke suruu kare waala rahaa. Uske kaam ke kabhi-kabhi Russian avant-garde ke rakam aur kabhi-kabhi Ukrainian avant-garde ke rakam bataawa gais rahaa, aur uu Central and Eastern Europe ke modern art ke khaas jan hae.[8]

  1. ru; uk.
  2. Запись о рождении в метрической книге римско-католического костёла св. Александра в Киеве, 1879 год // ЦГИАК Украины, ф. 1268, оп. 1, д. 26, л. 13об—14.
  3. Malevich's nationality has been a matter of scholarly dispute. However, most art historians consider Malevich—who was born in the Russian Empire (modern-day Ukraine) and who worked in the Russian Empire and then the Soviet Union for most of his life—a Russian avant-garde artist. For further information on recent debates regarding the artist's nationality, particularly in the aftermath of the 2022 Russian invasion of Ukraine, see the Nationality and ethnicity section.
  4. Milner and Malevich 1996, p. X; Néret 2003, p. 7; Shatskikh and Schwartz, p. 84.
  5. Malevich, Kazimir. The Non-Objective World, Chicago: Theobald, 1959.
  6. Chave, Anna. Mark Rothko: Subjects in Abstraction. Yale University Press. p. 191.
  7. Hamilton, George. Painting and Sculpture in Europe, 1880–1940, Volume 29. Yale University Press.
  8. Schulz, Bernhard (2014-05-31). "It's complicated: Tate on Kazimir Malevich and the West". The Art Newspaper. Archived from the original on 19 March 2024. Retrieved 2024-03-19.